Junk Shop Finds


I often lament the loss of antique shops, the pleasure of the hunt, the unexpected find. But today was a treat!


Today, we found this! It was a described as a woodblock print, but we suspect it’s a lithograph. It’s quite a good size, at least 60cm square but not in great condition. She has water staining on the edge, but don’t we all? She’s still wonderful.

The print is signed Sikker Hansen ‘40. A quick search finds a Danish illustrator by the name Aage Sikker Hansen (1897-1955) whose other work seems consistent with this print.

We are happy to have found her, it’s like the old days after all! She now lives in our hallway, looking glamorous and bored. I know how she feels.


Summer Holidays

Happy New Year, readers!

So, what have I been doing? Well, not a lot really, just rolling around and blissfully losing track of time! Which is just what I wanted. We were away over Christmas in sunny Queensland (in some lovely rainforest, see below), but more recently, I went for a little trip locally to the beaches down south.

I’ve always been fond of Kingston Park, a north-facing beach (unusual for Adelaide), though it is sadly losing its appeal with some pretty ugly oversized lumps being constructed. Fortunately, they’re unlikely to touch one of my favourite places to visit there, a terraced group of apartments, probably from the late 1950s or 1960s. Just looking at them makes me hum “I Found My Love In Portofino”! So breezy, look at them:

I think Sophia Loren lived here once. No.

I think Sophia Loren lived here once. No.

Apart from that, I have been relaxing at home, watching the sun rise and sun set with our feline master, Chickpea:

The future is MINE

The future is MINE

But, the holidays are nearly over and I have started to prepare for the year. I have nearly run out of all soap in our store, so I’ve started in earnest, today making a batch of Pink Moon Face Soap. This won’t be available for four weeks. I have a lot of plans for this year, I have some new products to come out and I can’t wait to tell you about them!

I hope 2019 is a good one for you, all the best for you and yours!


I’m at home with palms.

I’m at home with palms.


But no lace!

It’s sad to see the decline of antique shops. I used to spend a lot of time on Sunday afternoons, going through what seemed to be endless rooms of antiques, vintage and junk. I guess eBay changed that somewhat, plus changing tastes and so on.

Still, there are places you can go to browse and recently we acquired a new thing for our house - a Victorian pressed glass bonbon dish! This might seem odd, as I’m always banging on about 1930s this or 1940s that, but there is a link. In the late ‘30s, some designers turned away from the somewhat hostile modernist aesthetic (think Bauhaus, Le Corbusier etc) and picked through the wealth of beauty found in the baroque, the rococco, and the Victorian.

It became fashionable to have the odd bit of Victoriana, usually something slightly grotesque, like ceramic vases in the form of a lady’s hand holding a horn, or large twirling shells on piles of coral. There’s something a bit whimsical about such things, though I admit perhaps a bit arch. But there you are.

So here is our new bonbon dish, and following it, is a Royal Worcester vase, which I purchased online a while back (what was I saying about declining antique shops?).

WH Heppel & Co, 1875

WH Heppel & Co, 1875

Royal Worcester, late 19th century

Royal Worcester, late 19th century

French Bronze 1930s - 1950s

A Small Collection

We have recently purchased some fittings for our home and we wanted to use vintage fittings to soften the newness of everything else. Adding vintage details seems to make a room more lived in, avoiding a showroom effect.

It was fun hunting down various bits and pieces, though of course everything we found which was, in our minds, perfect, cost more than the house itself. But we found that we didn't have to compromise too much in finding some lovely things which suited our budget and our taste in French 1940s interiors.

Choosing a warmer palette than usual, we chose a couple of bronze light fittings, which are warmly golden with the patina of age.

Four arm bronze and alabaster ceiling light by Petitot. 1930s. Glamour.

Four arm bronze and alabaster ceiling light by Petitot. 1930s. Glamour.

Maison Petitot started in the Paris in the 1870s, but it is probably best known for its art deco light fittings from the 20s and 30s. Specialising in bronze and other metal fittings, it teamed up with a number of fancy glass manufacturers like Sabino and Mullers Freres for the shades.   I love this fixture because of the heavy stylised drapery.

Maison Leleu. 1940s-1950s. Looking sad without shades.

Maison Leleu. 1940s-1950s. Looking sad without shades.

We also needed a couple of sconces and we found these bronze and glass (I wonder if the glass is actually lucite because they never feel cold like glass, and also, lucite was a modern and chic material to use at the time) sconces from Maison Leleu (I should say attributed to as they aren't signed).  I wondered whether to clean these up a bit by polishing them but it turns out that they have been lacquered (whether at the time of manufacture or since, I don't know) and to clean them risked damaging them. It's fine, of course, I'll take the patina.

Bronze key plate. Vadim Androusov. 1940s-1950s. Love.

Bronze key plate. Vadim Androusov. 1940s-1950s. Love.

My final purchase was a small key plate by the Russian/French sculptor, Vadim Androusov. Androusov was known for his terracotta, stone or wood figures from the 1920s but later created bronze fixtures for grand cabinet makers like Andre Arbus and Jean Pascaud. While I am waiting for the people from xlotto to send me a giant cheque, I am not in a position to purchase any such furniture, so when I saw this little key plate, I was more than happy to buy it! It's a small thing, I know, but it's a lovely piece of sculpture in its own right and resonates 1940s-1950s French interior design.

Who Wants to Live in a 1949 Farming Pavilion? Me.

Optimistic Architecture

from The Penrose Annual 1951, photographer Alfred Cracknell

from The Penrose Annual 1951, photographer Alfred Cracknell

Some things are designed to give such joy. I came across this small photo of a pavilion in an old advertising industry journal. A quick check reveals it was designed by Sir Misha Black (1910-1977) on behalf of the Hulton Press 'Farmers' Weekly' magazine for the Bath & West Agricultural Show in Bristol, 1949.

It has all the elements I love - stripes, white metal fretwork, stairs, angled roofs, glamour! So yes, I could live in this, even with the flags (which in my house would each be a primary colour and green for the fourth, with a central motif, like a crown, a pine cone, a palm leaf and a trident. Or something).  And the stripes? Maybe cadmium yellow and white! It's a happy looking building.


1950s Dream Venue

Wouldn't it be nice...

I don't know why but some places just really grab my imagination. I might see some building and my heart skips a beat, making my pupils as big as my eyes. I go away but the ghost of this building will haunt the dusty vaults of my mind. That's how I came to live in our current house - I saw it one day and bought it the next. It was the atmosphere; it was easy to see what it could be (under the sad neglect) because its atmosphere just sings! 

And so it was, when I passed this building in Plympton. I have seen it before, and I read something about it a while back, so when I saw it again, it easily occupied my imagination.

It's hard to get the whole feel of it in a photo. Huge curved picture windows, balconies, terrazzo steps.  And the circular window you see above is a sort of addition to the side of the building and comprises about 4 shops, which extend down a side road (angled windows, terrazzo, but sadly in need of love).  Inexplicably, someone has painted this a filthy grey colour.  I can't even imagine what possessed them to do this, it looks truly awful.  The condition of the whole building is tired.

But, tantalizingly, I remember the bits of information I read about it ages ago (and I have since been unable to locate that source). I remember a photo of the place in the 1950s, the main building appeared to be a cafe or icecream parlour, there were striped umbrellas in the garden in front, under the palms.  Of course, I could be wrong, but I'm sure it was this place!

You can see the remains of what appears to be a shallow pool.  In the photo above, near the bins, stands a black broken statue: a seal!  There's curly ironwork and crazy paving (heart beating, pupils dilating...).

Here's a view from the front. Gorgeous double front doors. It's such a glamorous building. It appears to currently be divided up into flats. If only someone had the imagination and, well, probably most importantly, the money, to restore this place. Can you imagine it as a restaurant, with a beer garden out the front, terraced in crazy paving and shaded by yellow and white striped umbrellas?  Sigh. Still, at least it still stands, so there is always the possibility of it being fully re-loved.

Further 1940s Interiors

My lastest finds!

I had a few quiet moments a month or so ago and decided to go looking for some books. Ok, I'll be honest, I was procrastinating. But now I get to reap the rewards, so procrastinating can be worthwhile after all!

Here are my lastest purchases. Apologies for the bad photos. In fact there would have been more but my battery went flat (the camera's, not mine).

I love Taschen - they're great. Where else can you see an entire decade of magazines assembled in one spot? Domus, the worthy Italian publication, from the 1940s - a strong emphasis on the modern, following on from the International style.  I like it, but I'm more in the mood for this:

I love this book. I know I love it, because I already have it! Ugh, I get impulsive when I see something like this and lunge at it. A simple google search would have shown this is the French version. Anyway, pretty cover!  But then THIS arrived. I haven't got this one, and there is so much in it (including a lot of very formal French, which is stretching my memory, a lot), so it is my current favourite. As I said, my battery died, so not so many pics!

So, yes, I am happy with the fruits of my procrastination. Now I just want everything in these books!

1950s Colour Bonanza

A New Find

I came across this book recently and had to snap it up! I love a good '50s style kitchen, though so often you find photos in old magazines and books and they're in black and white.  But not so in Interiors in Colour by Roger Smithells (1960)!

I love the lino, the vivid, clashing colours, the mix of simple lines with over-the-top ornament.  I still have a tendency, other than the kitchen, for a late 1930s-1940s feel. The theatrical appeals:

Yes, I like a bit of Dorothy Draper too!  I'll stop babbling and show you the rest of the pics from this wonderful addition to my book collection!

This book is a good antidote to the raw, minimal interiors that still seem to be popular. I like natural wood, marble and glass, but sometimes I find stripes, florals and quilted satin (especially if faux!) far more compelling! But each to their own, yes?!


Adrian Feint - 1894 - 1971

We were in Sydney for Christmas and we decided to pop into the wonderful Art Gallery of New South Wales. We like, among other things, to seek out the AGNSW's collection of one of our favourite Australian artists, Adrian Feint.

I won't regurgitate his biography here, but the Australian Dictionary of Biography has a nice summary and there's a short (and not particularly helpful) mention on Wikipedia. He was known for his woodblock prints (he studied under Thea Proctor and Margaret Preston) and his commercial work (some wonderful covers and content in Home and Art in Australia magazines). But it is his post war paintings (oil and watercolour) from the 1940s and 1950s which we find especially appealing.

We were happy to see that the AGNSW has acquired a new work:

Adrian Feint - The Striped Petunia (1939)

Adrian Feint - The Striped Petunia (1939)

We didn't find many of his other works on display, as it happened, but we know that the collection includes this painting:

(courtesy of the Art Gallery of New South Wales) Adrian Feint - Flowers in Sunlight (1940)

(courtesy of the Art Gallery of New South Wales) Adrian Feint - Flowers in Sunlight (1940)

While in Sydney, we were staying in Elizabeth Bay, a picturesque part of Sydney near Potts Point and heavily populated with beautiful art deco apartments. We found that Adrian Feint lived in Elizabeth Bay for some time and so we put on our deer stalker hats and tweed capes and went to find out where.

The AGNSW also has in its collection the following painting, which provided us with a clue because we could see this building from our apartment:

(courtesy of the Art Gallery of New South Wales) Adrian Feint - Del Rio, Elizabeth Bay (1944)

(courtesy of the Art Gallery of New South Wales) Adrian Feint - Del Rio, Elizabeth Bay (1944)

The Del Rio apartments are glamorous, in an old Hollywood way, and sit nestled on the hill looking down to the bay. It turns out that Adrian Feint lived near the building and we think we pinpointed the address, but we weren't able to confirm this. There is a beautiful park opposite Del Rio, which we understand was vacant at the time the painting was completed. Here are the apartments now:

Glamour lives here.

Glamour lives here.

We understand that Mr Feint moved at some stage to another apartment in Elizabeth Bay, on Elizabeth Bay Road, so we tracked this down too:



We suspect Mr Feint lived in one of the rear apartments as these would have had the view of the bay, which is often featured in his paintings.

So, there you have it, some pleasant and diverting detective work from our holiday.  We hope your break was relaxing too, and we both wish you all the best of the new year!

A Visit to Baroona

Open Garden Scheme

Last Sunday, it was a miserable day and we needed a bit of cheering up so we checked to see what was happening and came across a property in St Peters open to the public as part of the Open Gardens South Australia scheme.

The day before, at the Wattle Street Market, a lady was standing near our stall and appeared to be in deep thought.  We had a chat and she told me that her daughter had brought her to the market "under false pretences". Apparently, her daughter had convinced her to come out and visit a garden as part of the Open Garden scheme. I suggested that she was in a garden and that it was open, but she remained sceptical. I am happy to report, her daughter was enjoying the market. The garden they were intending to visit was Baroona, in St Peters.

So, Baroona it was. With respect, the garden was lovely, though the cool weather this season held back the prize irises and roses, but it was the house which impressed us. A rambling pile with a tower and windows all over the shop.  There was something untouched about it, free from the painful alterations of the 70s, 80s and 90s (and etc!).  Our information sheet indicated it was built in 1901 in "Federation Art Nouveau style" for a successful wool merchant. Such a lot of atmosphere! Here are some of my snaps - excuse grim sky:

According to our information sheet, the house went into gradual decline until the 1940s when it was purchased (I assume) by the Jehovah's Witnesses for members of their congregation. Gossipy types assumed the new pacifist residents were spies and there was some sort of case which ended up in the High Court where the Jehovah's Witnesses won the right for religious freedom. 

We will keep an eye out for another 'open day' at Baroona, it's worth a visit!

A New Obsession


That's all I need to say. Barkcloth. I've been poring over barkcloth samples for the last couple of weeks with a shameless enthusiasm and I can't see my excitement in seeing these beautiful fabrics diminishing in any way. 

Recently, a friend of ours made an amazing skirt out of barkcloth with a scene of deer in a forest. It was gorgeous and she looked swell in this dazzling fabric.  So, it got us thinking...

We have a couple of 1950s TV chairs we would like to have reupholstered and so this started my barkcloth journey/pilgrimage/crusade as we wanted something which melded the 1950s design of the chairs with something a bit older, perhaps a 40s style fabric. Barkcloth was used through the 30s to the 50s for a range of uses but particularly upholstery and curtains.

What particularly appealed to us was the exuberant designs, lavish swirls and feathers, make believe flowers, vivid colours in unexpected combinations.  We also loved the gorgeous modern take on toile, bright scenes of waterfalls, ruins, mansions, forests and yachts. How could anyone resist?

So, here is my first purchase - not even for the chairs! No, this will be for cushions, but look at it!

Apologies for the photo, I whipped it out of its envelope and snapped it as soon as possible!

This fabric is the sort used for curtains along the art deco style hotels of South Beach, Miami in the 1930s, so it doesn't come more highly recommended!

What on Earth have you been doing?

Drinking tea and eating crumpets!

It might look like it, but it has not been a quiet time here at Shanghai Lil & The Scarlet Fez! I am not the most organized person, so all of my ideas and plans always take a lot longer to come to fruition than those of...EVERYONE else!

So what have I been doing? I've been re-formulating our lipbalms, organising new signage, (by the talented Magic Jelly, of course!) tweaking some of our recipes and making a ton of soap. We have some big markets coming up in August, which I'm really looking forward to. I miss the face to face contact with customers and those chances to show people our products up close. There will be more on the above over the next month or two.

We have introduced a couple of new retailers too. Welcome to the lovely folk at The V-Spot (an online vegan beauty and fashion retailer) and Style House Designs in Aldgate. 

But of course, I have ensured that I have time to relax and think. While doing all this relaxing and thinking, I've been drinking Prince of Wales tea from Leaf Tea, a small (and cute) supplier in Geelong. I haven't had Prince of Wales for ages - I used to drink it a lot in the 80s, before everyone was born. Also purchased in Geelong, a copy of Chandler Burr's 'The Emperor of Scent'. I haven't had a chance to start that yet, but I'm looking forward to getting into it. 

We are also in the midst of some major renovations at chez Shanghai and you'll be shocked to hear that this is stressful! But boohoo me, once it's over, I'll have plenty of space for my supplies and products! Also, more room for tea paraphernalia, books and things.

So, big things are coming for us at Shanghai Lil & The Scarlet Fez, and we're getting ready for it, fueled by tea!